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TRIPLA
CONCORDIA
Journey into the Middle-European Baroque
There
is an interview by Tripla Concordia in the January
2006 issue of the Italian magazine ClassicCD,
which is on sale with an attached CD dedicated
to the Sonatas for Recorder and Basso Continuo
by G. Ph. Telemann, from the Bach/Telemann CD
C 9701/2 released by the Spanish label Cantus.
On Stradivarius
(STR 11007) the group has just released a
new CD dedicated to the sonatas for recorder of
another outstanding figure of the Baroque, G.
F. Handel.
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In the studio of Valter Neri in Montevarchi, the
the three original members of Tripla Concordia (Cavasanti
- Ciomei - Boersma) have recently recorded, in February,
a programme focused on the development of the Italian
Sonata (ranging from Castello, Fontana, Selma, Mealli,
to Corelli, Dall'Abaco, Domenico Scarlatti and Veracini),
which it has already performed in a successful series
of concerts.
At the same time Lorenzo Cavasanti, together with
the German recorder player Dorothee Oberlinger,
recorded a set of sonatas for two recorders without
accompaniment by Telemann, which shed a new light
on some typically baroque features but also on the
pre-Sturm aspects of the German composer - a fresh
and very individual reading.
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Tripla
Concordia Orchestra
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Apart these 'chamber' activities, the ensemble is
also presenting itself as classic chamber orchestra.
Planned for next December is a series of concerts
devoted to the music of Mozart (comprising the Concerto
for Flute and Harp, the Concerto in A major for
Violin, and the Symphony no. 29, K.201). |
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immediate future sees Lorenzo Cavasanti and Sergio
Ciomei again in Milan, together with flautist (and
leader of Giardino Armonico) Giovanni Antonini and
cellist Antonio Fantinuoli. They are to give a concert
for the 60th season of |
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Musica e Poesia a S. Maurizio, one of Italy's most
important and long-established series of early music
concerts. The programme represents a |
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journey through 17th and 18th century France, Italy
and Germany, by this extraordinary and newly-formed
quartet of artists and friends, and is designed
to illustrate the characteristically different timbres
of the recorder and the transverse flute. (Coro
di San Maurizio al Monastero Maggiore, 31 maggio
2006, ore 21, Info: Società del Quartetto, T. 02.795393
e www.quartettomilano.it).
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Audio
clip © Cantus Records. All Rights Reserved. Used
With Permission
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